Physics of the Piano

by Nicholas J. Giordano

The primary goal of this book is to investigate these questions for the piano.

Physics of the Piano

Author: Nicholas J. Giordano

Publisher:

ISBN: 9780198789147

Page: 184

View: 247

Investigates how pianos produce sound and which aspects of the instrument are critical in producing musical tones.

The Physics of Piano Unisons

by

This book outlines the contemporary mathematical theory for the acoustical of behaviour of piano string unisons.

The Physics of Piano Unisons

Author:

Publisher:

ISBN: 9780992814168

Page: 94

View: 160

This book outlines the contemporary mathematical theory for the acoustical of behaviour of piano string unisons. It presents the basic mathematical modelling for the physics and behaviour of unisons when the strings are acoustically coupled through the soundboard and bridge. The book provides the mathematical ground behind the discussion in the accompanying volume Piano Unison Tuning (Volume 2 of this series).

Musical Sound

by Michael J. Moravcsik

This text has been out of print since 1990; it was originally published by Solomon Press in 1987.

Musical Sound

Author: Michael J. Moravcsik

Publisher: Springer Science & Business Media

ISBN: 1461505771

Page: 316

View: 258

This text has been out of print since 1990; it was originally published by Solomon Press in 1987. Several experts in the field have verified that the information in the book remains constant; nothing has, or will, change in the basic science of musical sound. It explains the science of musical sound without the encumbrance of detailed mathematics. It will appeal to music lovers as well as students of music and students of physics. It can easily be promoted with our physics program.

The Physics of Musical Instruments

by Neville H. Fletcher

This book describes the results of such acoustical investigations - fascinating intellectual and practical exercises.

The Physics of Musical Instruments

Author: Neville H. Fletcher

Publisher: Springer Science & Business Media

ISBN: 0387216030

Page: 756

View: 858

While the history of musical instruments is nearly as old as civilisation itself, the science of acoustics is quite recent. By understanding the physical basis of how instruments are used to make music, one hopes ultimately to be able to give physical criteria to distinguish a fine instrument from a mediocre one. At that point science may be able to come to the aid of art in improving the design and performance of musical instruments. As yet, many of the subtleties in musical sounds of which instrument makers and musicians are aware remain beyond the reach of modern acoustic measurements. This book describes the results of such acoustical investigations - fascinating intellectual and practical exercises. Addressed to readers with a reasonable grasp of physics who are not put off by a little mathematics, this book discusses most of the traditional instruments currently in use in Western music. A guide for all who have an interest in music and how it is produced, as well as serving as a comprehensive reference for those undertaking research in the field.

Physics of the Piano

by Nicholas J. Giordano

Nicholas J. Giordano. - +. i. Nicholas J. Giordano, Sr Physics Piano OXFORD Physics of the Piano Physics of the Piano Nicholas J. Front Cover.

Physics of the Piano

Author: Nicholas J. Giordano

Publisher: Oxford University Press

ISBN: 0192506633

Page: 184

View: 149

Why does a piano sound like a piano? A similar question can be asked of virtually all musical instruments. A particular note-such as middle C-can be produced by a piano, a violin, a clarinet, and many other instruments, yet it is easy for even a musically untrained listener to distinguish between these different instruments. A central quest in the study of musical instruments is to understand why the sound of the "same" note depends greatly on the instrument, and to elucidate which aspects of an instrument are most critical in producing the musical tones characteristic of the instrument. The primary goal of this book is to investigate these questions for the piano. The explanations in this book use a minimum of mathematics, and are intended for anyone who is interested in music and musical instruments. At the same time, there are many insights relating physics and the piano that will likely be interesting and perhaps surprising for many physicists.

The Physics Of Music

by Alexander Wood

I hope that this little book may serve as an introduction for some to the very interesting borderland between physics and music.

The Physics Of Music

Author: Alexander Wood

Publisher: Read Books Ltd

ISBN: 1446549100

Page: 288

View: 473

The Physics of Music by ALEXANDER WOOD.PREFACE TO FIRST EDITION: I HOPE that this little book may serve as an introduction for some to the very interesting borderland between physics and music. It is a borderland in which the co-operation of musicians and physicists may have important results for the future of music. The typescript and proofs have been read by Miss Nancy Browne from the point of view of the general reader, and many obscure passages have been clarified. On the technical side I am indebted to Dr Pringle, who has read the proofs and given me valuable criticism and advice. Miss Cawkewell has helped me with the illustrations, Mr Cottingham has supplied the photographs for Figs. 1.7 to i. io, and my secretary. Miss Sindall, has been responsible for the typing and for the assembly and preparation of the material. Because of the help received from these and others the book is a much better book than it would otherwise have been. For its remaining imperfections I must take full

Physics and the Sound of Music

by John S. Rigden

The second edition includes new material on the human voice as a musical instrument, digital recording, and the use of the computer in composing music.

Physics and the Sound of Music

Author: John S. Rigden

Publisher: John Wiley & Sons Incorporated

ISBN:

Page: 353

View: 130

A clearly written and organized text on the production, propagation, and perception of the sound we call music. Organized into six major parts (each with three chapters) treating the sources of sound and production of musical sound; the propagation of sound and those environmental features that have an immediate influence on the sound that is propagated; and the perceptual aspects of the musical sound. The second edition includes new material on the human voice as a musical instrument, digital recording, and the use of the computer in composing music.

The Physics of Musical Instruments

by Neville H. Fletcher

The history of musical instruments is nearly as old as the history of civilization itself, and the aesthetic principles upon which judgments of musical quality are based are intimately connected with the whole culture within which the ...

The Physics of Musical Instruments

Author: Neville H. Fletcher

Publisher: Springer Science & Business Media

ISBN: 1461229804

Page: 620

View: 362

The history of musical instruments is nearly as old as the history of civilization itself, and the aesthetic principles upon which judgments of musical quality are based are intimately connected with the whole culture within which the instruments have evolved. An educated modem Western player or listener can make critical judgments about particular instruments or particular per formances but, to be valid, those judgments must be made within the appro priate cultural context. The compass of our book is much less sweeping than the first paragraph might imply, and indeed our discussion is primarily confined to Western musical instruments in current use, but even here we must take account of centuries of tradition. A musical instrument is designed and built for the playing of music of a particular type and, conversely, music is written to be performed on particular instruments. There is no such thing as an "ideal" instrument, even in concept, and indeed the unbounded possibilities of modem digital sound-synthesis really require the composer or performer to define a whole set of instruments if the result is to have any musical coherence. Thus, for example, the sound and response of a violin are judged against a mental image of a perfect violin built up from experience of violins playing music written for them over the centuries. A new instrument may be richer in sound quality and superior in responsiveness, but if it does not fit that image then it is not a better violin.

Physics and Music

by Harvey E. White

Comprehensive and accessible, this foundational text surveys general principles of sound, musical scales, characteristics of instruments, mechanical and electronic recording devices, and many other topics.

Physics and Music

Author: Harvey E. White

Publisher: Courier Corporation

ISBN: 0486779343

Page: 448

View: 978

Comprehensive and accessible, this foundational text surveys general principles of sound, musical scales, characteristics of instruments, mechanical and electronic recording devices, and many other topics. More than 300 illustrations plus questions, problems, and projects.

An Integrated circuit Piano Tuner

by Michael William Hagee

A study of the physics of the piano reveals that while the upper partials of the steel strings are the eigen-frequencies of the complex tone, they are not integer multiples of the respective fundamentals.

An Integrated circuit Piano Tuner

Author: Michael William Hagee

Publisher:

ISBN:

Page: 94

View: 625

A study of the physics of the piano reveals that while the upper partials of the steel strings are the eigen-frequencies of the complex tone, they are not integer multiples of the respective fundamentals. To properly measure and tune these eigen-partials, a digital filter capable of sweeping a major portion of the audio-frequency spectrum had to be implemented. Such a filter, a tuneable fixed-coefficient digital filter, is discussed as well as a simple pole-zero design procedure for determining the required coefficients. Each module, including the frequency deviation detector and counter, the time-base generator, the digital filter, the reference frequency generator and the display and control module, of the proposed tuner is illustrated and discussed. (Author).

Piano Unison Tuning

by

This book provides a general, technical description of fine-tuning piano unisons, based on the contemporary acoustical theory, which is outlined in the accompanying volume The Physics of Piano Unisons (Volume 1 of this series).

Piano Unison Tuning

Author:

Publisher:

ISBN: 9780992814175

Page: 92

View: 174

This book provides a general, technical description of fine-tuning piano unisons, based on the contemporary acoustical theory, which is outlined in the accompanying volume The Physics of Piano Unisons (Volume 1 of this series). The content of this book is aimed at anyone with a technical interest in the subject, including tuning students and professionals. The discussion can be related to practice, and its only mathematical content is graphs illustrating acoustical behaviour. For a more comprehensive treatment of all aspects of piano tuning and its theory, please consult Theory and Practice of Piano Tuning by the same author.

Music Physics and Engineering

by Harry F. Olson

This extraordinarily comprehensive text, requiring no special background, discusses the nature of sound waves, musical instruments, musical notation, acoustic materials, elements of sound reproduction systems, and electronic music.

Music Physics and Engineering

Author: Harry F. Olson

Publisher: Courier Corporation

ISBN: 0486317021

Page: 480

View: 983

This extraordinarily comprehensive text, requiring no special background, discusses the nature of sound waves, musical instruments, musical notation, acoustic materials, elements of sound reproduction systems, and electronic music. Includes 376 figures.

Measured Tones

by Ian Johnston

Most books concerned with physics and music take an approach that puts physical theory before application. Consequently, these works tend to dampen aesthetic fascination with preludes burdened by an overabundance of algebraic formulae.

Measured Tones

Author: Ian Johnston

Publisher: CRC Press

ISBN: 1439894671

Page: 454

View: 762

Most books concerned with physics and music take an approach that puts physical theory before application. Consequently, these works tend to dampen aesthetic fascination with preludes burdened by an overabundance of algebraic formulae. In Measured Tones: The Interplay of Physics and Music Third Edition, Ian Johnston a professor of astrophysics and a connoisseur of music, offers an informal historical approach that shows the evolution of both theory and application at the intersection of physics and music. Exceptionally accessible, insightful, and now updated to consider modern technology and recent advances, the new edition of this critically acclaimed and bestselling classic — Features a greater examination of psycho-acoustics and its role in the design of MP3s Includes expanded information on the gamelan and other Asian percussion instruments Introduces detailed discussions of binary notation, digitization, and electronic manipulation of music We believe that order exists, and we look for it. In that respect the aims of science and of music are identical—the desire to find harmony. And surely, without that very human desire, science would be a cold and sterile undertaking. With myriad illustrations and historical anecdotes, this volume will delight those student required to approach this topic from either a physics and music concentration, as well as anyone who is fascinated with concepts of harmony expressed in nature, as well as in the instruments and composition of human expression’s purest form. A complementary website provides sound files, further reading, and instructional support.