A collection of professional photographs spanning from 1855 through the early twenty-first century, featuring photojournalistic pieces from various wars and conflicts that illustrate extreme social, economic, and cultural issues from around ...
Author: Reuel Golden
A collection of professional photographs spanning from 1855 through the early twenty-first century, featuring photojournalistic pieces from various wars and conflicts that illustrate extreme social, economic, and cultural issues from around the world.
Facing the World: Great Moments in Photojournalism. New York: Abrams, 2001.
Displays work of Agence France-Presse photographers since 1985 as seen in
some 400 color photos. Golden, Reuel. Photojournalism 1855 to the Present: ...
Author: Christopher H. Sterling
Publisher: SAGE Publications
"Written in a clear and accessible style that would suit the needs of journalists and scholars alike, this encyclopedia is highly recommended for large news organizations and all schools of journalism." —Starred Review, Library Journal Journalism permeates our lives and shapes our thoughts in ways we've long taken for granted. Whether we listen to National Public Radio in the morning, view the lead story on the Today show, read the morning newspaper headlines, stay up-to-the-minute with Internet news, browse grocery store tabloids, receive Time magazine in our mailbox, or watch the nightly news on television, journalism pervades our daily activities. The six-volume Encyclopedia of Journalism covers all significant dimensions of journalism, including print, broadcast, and Internet journalism; U.S. and international perspectives; history; technology; legal issues and court cases; ownership; and economics. The set contains more than 350 signed entries under the direction of leading journalism scholar Christopher H. Sterling of The George Washington University. In the A-to-Z volumes 1 through 4, both scholars and journalists contribute articles that span the field's wide spectrum of topics, from design, editing, advertising, and marketing to libel, censorship, First Amendment rights, and bias to digital manipulation, media hoaxes, political cartoonists, and secrecy and leaks. Also covered are recently emerging media such as podcasting, blogs, and chat rooms. The last two volumes contain a thorough listing of journalism awards and prizes, a lengthy section on journalism freedom around the world, an annotated bibliography, and key documents. The latter, edited by Glenn Lewis of CUNY Graduate School of Journalism and York College/CUNY, comprises dozens of primary documents involving codes of ethics, media and the law, and future changes in store for journalism education. Key Themes Consumers and Audiences Criticism and Education Economics Ethnic and Minority Journalism Issues and Controversies Journalist Organizations Journalists Law and Policy Magazine Types Motion Pictures Networks News Agencies and Services News Categories News Media: U.S. News Media: World Newspaper Types News Program Types Online Journalism Political Communications Processes and Routines of Journalism Radio and Television Technology
Celebrity, Photojournalism, and the Making of the Tabloid Press Ryan Linkof ...
1910–1933 ( New York : Macmillan Publishing , Co. , 1973 ) ; Reuel Golden ,
Photojournalism , 1855 to the Present ( New York : Abbeville Press , 2006 ) ;
Author: Ryan Linkof
The stolen snapshot is a staple of the modern tabloid press, as ubiquitous as it is notorious. The first in-depth history of British tabloid photojournalism, this book explores the origin of the unauthorised celebrity photograph in the early 20th century, tracing its rise in the 1900s through to the first legal trial concerning the right to privacy from photographers shortly after the Second World War. Packed with case studies from the glamorous to the infamous, the book argues that the candid snap was a tabloid innovation that drew its power from Britain's unique class tensions. Used by papers such as the Daily Mirror and Daily Sketch as a vehicle of mass communication, this new form of image played an important and often overlooked role in constructing the idea of the press photographer as a documentary eyewitness. From Edward VIII and Wallis Simpson to aristocratic debutantes Lady Diana Cooper and Margaret Whigham, the rage of the social elite at being pictured so intimately without permission was matched only by the fascination of working class readers, while the relationship of the British press to social, economic and political power was changed forever.Initially pioneered in the metropole, tabloid-style photojournalism soon penetrated the journalistic culture of most of the globe. This in-depth account of its social and cultural history is an invaluable source of new research for historians of photography, journalism, visual culture, media and celebrity studies.
Author: Melvil Dewey
Includes, beginning Sept. 15, 1954 (and on the 15th of each month, Sept.-May) a special section: School library journal, ISSN 0000-0035, (called Junior libraries, 1954-May 1961). Also issued separately.
Grace Seiberling, Carolyn Bloore, International Museum of Photography at
George Eastman House, International museum of photography and ... Fenton
went to the Crimea in 1855 to photograph the war , partially underwritten by the
firm of Agnew , a Manchester publisher . ... and to present a remarkable personal
Author: Grace Seiberling
Publisher: University of Chicago Press
"This book results from research which was begun with all the casualness, but inherent seriousness, of the nineteenth-century amateur. I had the privilege of frequent access to the archives of the International Museum of Photography at George Eastman House and began to go through the nineteenth-century photographs in a systematic way. I wanted to go beyond the clichés of the history of photography as a series of often-reproduced masterworks and to find out something about the history of seeing, or at least of thinking about, images in the nineteenth century."--Préface.
Painting, Sculpture, Architecture, Photography H. Harvard Arnason, Elizabeth
Mansfield ... Bunnell , Peter C. Inside the Photograph : Writings on Twentieth -
Century Photography . ... Photojournalism , 1855 to the Present : Editor's Choice .
Author: H. Harvard Arnason
Publisher: Prentice Hall
Long considered the survey of modern art, this engrossing and liberally illustrated text traces the development of trends and influences in painting, sculpture, photography and architecture from the mid-nineteenth century to the present day. Retaining its comprehensive nature and chronological approach, it now comes thoroughly reworked by Elizabeth Mansfield, an experienced art historian and writer, with refreshing new analyses, a considerably expanded picture program, and a more absorbing and unified narrative.
The port of Balaklava , in present - day Ukraine , acted as a base for the British
troops . 13. Ruins of the R. R. Depot in Charleston , South Carolina ... Head of
Harbour , Balaklava , 1855. Pl . 205. Print on salted paper from a wet collodion
Author: Françoise Heilbrun
This book is based on the Musee d'Orsay collection and concentrates on the birth and development of photojournalism. It aims to show how photographers saw the silent majority of society made up of workmen, craftsmen, peasants, the poor and unqualified and peoples as yet untouched by Western civilisation.
London : Directors of the Crystal Palace Company , 1855 . de Vaucouleurs ,
Gerard . Astronomical Photography : From the Daguerreotype to the Electron
Camera . New York ... Creative Photography : 1826 to the Present . An Exhibition
Author: Roy Flukinger
Gathers examples of early British photography and offers background information about each photograph and photographer
Author: Cleveland Museum of Art
Publisher: Cleveland Museum of Art
This volume is both a catalogue of the museum's photographic holdings and a celebration of its recent exhibition Legacy of Light: Master Photographs from the Cleveland Museum of Art. The catalogue and exhibition provided the opportunity to reflect on what the museum has accomplished since making a curatorial and financial commitment to collect photography thirteen years ago. Determined by availability and, at times, good fortune, the photographs assembled illuminate the particular era in which they were made and simultaneously yield insights into the universal human condition. Ultimately, they can simply be enjoyed as expressions of individual creativity at its highest level. In this elegantly produced volume, the full scope of the collection is represented faithfully and with bibliographic accuracy. Twenty-eight artists are accorded full-page reproductions of signature works, accompanied by the artist's profile and discussion of the work. Among the many master photographers represented here are Ansel Adams, Diane Arbus, Eug�ne Atget, �douard Baldus, Margaret Bourke-White, Mathew Brady, Julia Margaret Cameron, Imogen Cunningham, Walker Evans, Robert Frank, Lee Friedlander, Francis Frith, Lewis Hine, Andr� Kert�sz, Dorothea Lange, Richard Long, Duane Michals, Irving Penn, Aaron Siskind, Edward Steichen, Alfred Stieglitz, Paul Strand, William Henry Fox Talbot, Jerry Uelsmann, Edward Weston, and Minor White.
Author: Andrew H. Eskind
Publisher: G K Hall
This 3-vol. work constitutes a vastly enlarged and expanded new edition of the Index to American Photographic Collections, 3rd enlarged edition, differing from the previous editions in two important respects. First is the inclusion of holdings from outside the United States, a natural evolution in our shrinking world. The second is the inclusion of exhibition histories, cross-referenced by photographer and sponsoring institution, providing a useful new context for evaluating less well-known photographers.