After an itinerant suburban childhood and countless moves as a grown-up—from New York City to Lincoln, Nebraska; from the Midwest to the West Coast and back—Meghan Daum was living in Los Angeles, single and in her mid-thirties, and ...
Author: Meghan Daum
From the acclaimed author and columnist: a laugh-out-loud journey into the world of real estate—the true story of one woman’s “imperfect life lived among imperfect houses” and her quest for the four perfect walls to call home. After an itinerant suburban childhood and countless moves as a grown-up—from New York City to Lincoln, Nebraska; from the Midwest to the West Coast and back—Meghan Daum was living in Los Angeles, single and in her mid-thirties, and devoting obscene amounts of time not to her writing career or her dating life but to the pursuit of property: scouring Craigslist, visiting open houses, fantasizing about finding the right place for the right price. Finally, near the height of the real estate bubble, she succumbed, depleting her life’s savings to buy a 900-square-foot bungalow, with a garage that “bore a close resemblance to the ruins of Pompeii” and plumbing that “dated back to the Coolidge administration.” From her mother’s decorating manias to her own “hidden room” dreams, Daum explores the perils and pleasures of believing that only a house can make you whole. With delicious wit and a keen eye for the absurd, she has given us a pitch-perfect, irresistible tale of playing a lifelong game of house.
My Misspent Youth is an incisive collection that marked the start of a new millennium and became a cult classic, from the editor of Selfish, Shallow, and Self-Absorbed and the author of The Unspeakable An essayist in the tradition of Joan ...
Author: Meghan Daum
My Misspent Youth is an incisive collection that marked the start of a new millennium and became a cult classic, from the editor of Selfish, Shallow, and Self-Absorbed and the author of The Unspeakable An essayist in the tradition of Joan Didion, Meghan Daum is one of the most celebrated nonfiction writers of her generation, widely recognized for her fresh, provocative approach with which she unearths the hidden fault lines in the American landscape. From her well remembered New Yorker essays about the financial demands of big-city ambition and the ethereal, strangely old-fashioned allure of cyber-relationships to her dazzlingly hilarious riff in Harper's about musical passions that give way to middle-brow paraphernalia, Daum delves into the center of things while closely examining the detritus that spills out along the way. With precision and well-balanced irony, Daum implicates herself as readily as she does the targets that fascinate and horrify her.
"Daum is her generation's Joan Didion." —Nylon Nearly fifteen years after her debut collection, My Misspent Youth, captured the ambitions and anxieties of a generation, Meghan Daum returns to the personal essay with The Unspeakable, a ...
Author: Meghan Daum
Publisher: Farrar, Straus and Giroux
"Daum is her generation's Joan Didion." —Nylon Nearly fifteen years after her debut collection, My Misspent Youth, captured the ambitions and anxieties of a generation, Meghan Daum returns to the personal essay with The Unspeakable, a masterful collection of ten new works. Her old encounters with overdrawn bank accounts and oversized ambitions in the big city have given way to a new set of challenges. The first essay, "Matricide," opens without flinching: People who weren't there like to say that my mother died at home surrounded by loving family. This is technically true, though it was just my brother and me and he was looking at Facebook and I was reading a profile of Hillary Clinton in the December 2009 issue of Vogue. Elsewhere, she carefully weighs the decision to have children—"I simply felt no calling to be a parent. As a role, as my role, it felt inauthentic and inorganic"—and finds a more fulfilling path as a court-appointed advocate for foster children. In other essays, she skewers the marriage-industrial complex and recounts a harrowing near-death experience following a sudden illness. Throughout, Daum pushes back against the false sentimentality and shrink-wrapped platitudes that surround so much of contemporary American experience and considers the unspeakable thoughts many of us harbor—that we might not love our parents enough, that "life's pleasures" sometimes feel more like chores, that life's ultimate lesson may be that we often learn nothing. But Daum also operates in a comic register. With perfect precision, she reveals the absurdities of the New Age search for the "Best Possible Experience," champions the merits of cream-of mushroom-soup casserole, and gleefully recounts a quintessential "only-in-L.A." story of playing charades at a famous person's home. Combining the piercing insight of Joan Didion with humor reminiscent of Nora Ephron's, Daum dissects our culture's most dangerous illusions, blind spots, and sentimentalities while retaining her own joy and compassion. Through it all, she dramatizes the search for an authentic self in a world where achieving an identity is never simple and never complete.
Selfish, Shallow, and Self-Absorbed makes a thoughtful and passionate case for why parenthood is not the only path in life, taking our parent-centric, kid-fixated, baby-bump-patrolling culture to task in the process.
Author: Meghan Daum
SIXTEEN LITERARY LUMINARIES ON THE CONTROVERSIAL SUBJECT OF BEING CHILDLESS BY CHOICE, COLLECTED IN ONE FASCINATING ANTHOLOGY One of the main topics of cultural conversation during the last decade was the supposed "fertility crisis," and whether modern women could figure out a way to have it all-a successful, demanding career and the required 2.3 children-before their biological clock stopped ticking. Now, however, conversation has turned to whether it's necessary to have it all (see Anne-Marie Slaughter) or, perhaps more controversial, whether children are really a requirement for a fulfilling life. The idea that some women and men prefer not to have children is often met with sharp criticism and incredulity by the public and mainstream media. In this provocative and controversial collection of essays, curated by writer Meghan Daum, sixteen acclaimed writers explain why they have chosen to eschew parenthood. Contributors include Lionel Shriver, Sigrid Nunez, Kate Christiensen, Elliott Holt, Geoff Dyer, and Tim Kreider, among others, who will give a unique perspective on the overwhelming cultural pressure of parenthood. Selfish, Shallow, and Self-Absorbed makes a thoughtful and passionate case for why parenthood is not the only path in life, taking our parent-centric, kid-fixated, baby-bump-patrolling culture to task in the process. What emerges is a more nuanced, diverse view of what it means to live a full, satisfying life.
Here, snow laden, the beast glowers across the frozen stillness, but on a summer
afternoon he can be the friendly focus of a cocktail party. ... This and the art which
Noyes has lavished on the house create their own air of cultured living. ...
Designed to meet the critical standards for perfect color reception, the new
Winegard Colortron antenna is naturally more sensitive than ordinary antennas
for black and ...
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
I never consider why I don ' t accomplish all I desire where I live now or realize
that if I lived in this imagined perfect place , I wouldn ' t do any of these things
either , for real life ( the demands of keeping house , of work , of family life ) would
Author: Louise DeSalvo
Publisher: Bloomsbury Pub Plc USA
A literary exploration of the author's psychologically charged move to a new home describes the ways in which her physical change of residence caused her to idealize her old house and criticize her new one; a process during which she turned to favorite works of literature for comfort.
HER LOVE LIFE seemed to follow the same pattern of temporary attachment . ...
Life can be so perfect if you just let it . ... she had two days between house - sitting
jobs and asked if she could stay with him ( he had stayed with her already ) .
Author: Whitney Otto
Publisher: Random House Incorporated
In 1980s San Francisco, a group of rootless young characters drift through life, enjoying their friendship, romances, and shared experiences while congregating at the Youki Singe Tea Room, a North Beach bar, while searching for love, meaning, and a true home. 50,000 first printing.