A seminal work by one of the most influential figures of the English folk revival of the 1950s, Folk Song in England (1967) is an expansive account of the development of English traditional song, from the very oldest, ritual verse, through ...
Author: A. L. Lloyd
Publisher: Faber & Faber
A seminal work by one of the most influential figures of the English folk revival of the 1950s, Folk Song in England (1967) is an expansive account of the development of English traditional song, from the very oldest, ritual verse, through epic balladry, to the development of lyrical song in the industrial era. In a unique and ambitious approach, Lloyd marries the tradition of folk-song scholarship, largely derived from Cecil Sharp, with the radical historiography of E. P. Thompson, and in so doing produces a work of exceptional insight. In particular, his defining of 'industrial folk song' reveals traditional verse as an ebullient, living expression of the working people, perfectly adaptable to reflect their ways and conditions of life.
This is the first book for many years to investigate the wider social history of traditional song in England, and draws on a wide range of sources to answer these questions and many more.
Author: Steve Roud
Publisher: Faber & Faber
In Victorian times, England was famously dubbed the land without music - but one of the great musical discoveries of the early twentieth century was that England had a vital heritage of folk song and music which was easily good enough to stand comparison with those of other parts of Britain and overseas. Cecil Sharp, Ralph Vaughan Williams, Percy Grainger, and a number of other enthusiasts gathered a huge harvest of songs and tunes which we can study and enjoy at our leisure. But after over a century of collection and discussion, publication and performance, there are still many things we don't know about traditional song - Where did the songs come from? Who sang them, where, when and why? What part did singing play in the lives of the communities in which the songs thrived? More importantly, have the pioneer collectors' restricted definitions and narrow focus hindered or helped our understanding? This is the first book for many years to investigate the wider social history of traditional song in England, and draws on a wide range of sources to answer these questions and many more.
This magical new collection brings together all the classic folk songs as well as many lesser-known discoveries, complete with music and annotations on their original sources and meaning.
Author: Julia Bishop
Publisher: Penguin UK
One of the Spectator's Books of the Year 2012 'Farewell and adieu to you fair Spanish ladies Farewell and adieu to you ladies of Spain For we've received orders for to sail for old England But we hope in a short while to see you again' One of the great English popular art forms, the folk song can be painful, satirical, erotic, dramatic, rueful or funny. They have thrived when sung on a whim to a handful of friends in a pub; they have bewitched generations of English composers who have set them for everything from solo violin to full orchestra; they are sung in concerts, festivals, weddings, funerals and with nobody to hear but the singer. This magical new collection brings together all the classic folk songs as well as many lesser-known discoveries, complete with music and annotations on their original sources and meaning. Published in cooperation with the English Folk Dance and Song Society, it is a worthy successor to Ralph Vaughan Williams and A.L.Lloyd's original Penguin Book of English Folk Songs. 'Her keen eye did glitter like the bright stars by night The robe she was wearing was costly and white Her bare neck was shaded with her long raven hair And they called her pretty Susan, the pride of Kildare' In association with EFDSS, the English Folk Dance and Song Society
Author: Peter Kennedy
Publisher: Music Sales Amer
A treasure trove for anyone interested in the folklore of the British Isles. Illustrated throughout, this lovely collection contains 360 folk songs from field recordings. Includes melody lines, lyrics, and chord symbols. Melody line format.
This book focuses on the lives of seven composers--Ralph Vaughan Williams, Gustav Holst, Ernest Moeran, George Butterworth, Philip Heseltine (Peter Warlock), Gerald Finzi and Percy Grainger--whose work was influenced by folk songs and early ...
Author: Tim Rayborn
"Copiously documented chapters distill significant amounts of scholarship about the featured composers. Recommended"--Choice The turn of the 20th century was a time of great change in Britain. The empire saw its global influence waning and its traditional social structures challenged. There was a growing weariness of industrialism and a desire to rediscover tradition and the roots of English heritage. A new interest in English folk song and dance inspired art music, which many believed was seeing a renaissance after a period of stagnation since the 18th century. This book focuses on the lives of seven composers--Ralph Vaughan Williams, Gustav Holst, Ernest Moeran, George Butterworth, Philip Heseltine (Peter Warlock), Gerald Finzi and Percy Grainger--whose work was influenced by folk songs and early music. Each chapter provides an historical background and tells the fascinating story of a musical life.
Geminiani, F., and 'Constant Billy', 200 General Collection of the Ancient Irish
Music, A, Bunting, 239 Georgian folk music, 43 German folk-song, 32—3, 188,
277-8 Gerrould, G. H., 125, 141, 142 n.8 Gestalt Theory, 264–5 Gibbons, Orlando
Author: Frank Howes
Originally published in 1969. Until the latter half of the nineteenth century, it was thought that England, alone among the European countries, and unlike Scotland and Ireland where collections of ballads and songs had already been published as early as the eighteenth century, had no important native tradition of music. The founding of the (English) Folk-Song Society in 1898, however, and the pioneering work of such collectors as Lucy Broadwood, the Reverend S. Baring-Gould and, later, Cecil Sharp uncovered a still flourishing folk culture. Since then interest in this subject has grown steadily, and the bibliography of publications of actual folk-songs and ballads is now huge. Frank Howes sets out a general and scholarly introduction, first examining in detail the history and origins of folk music and going on to show the nature and vast amount of the material, enforcing his arguments with a wealth of examples from around the world. His discussion of the differences of national idiom leads on to a comparison of British folk music with that of other European countries and America, in which he pays due attention to the Celtic and Norse traditions. Separate sections on balladry, carols, street cries, broadsides, sea shanties, nursery rhymes and instruments illustrate both the variety of folk music and the extent to which it permeates our national heritage.
85 British Folk Song , programme 3 ' Regional Variants ' , recorded 17 May 1958 ,
broadcast on BBC Network Three 19 May 1958 . 86 One has to be sure of
identifying all possible radio programmes ( a daunting task ) , and then compare
Author: Ian Russell
"Over the last thirty years, there have been very few volumes published in the UK devoted to the study of folk song and the folk song revival, much of the research in the field appearing in the pages of the Folk Music Journal or coming from North America. This extensive collection of papers, while not comprehensive, is intended in part to fill this void and to make a contribution to the field of study. It is the unashamed product of a major conference to mark the centenary of the founding of the Folk-Song Society, held at the University of Sheffield, 10-12 July 1998, and organised jointly by the University's Department of Music and National Centre for English Cultural Tradition, together with the English Folk Dance and Song Society, the successor to the Folk-Song Society since its merger with the English Folk Dance Society in 1932."--p.1.
This collection is filled with songs that tell of the pleasures and pains of love, the patterns of the countryside and the lives of ordinary people.
Author: Ralph Vaughan Williams
Publisher: Penguin UK
This collection is filled with songs that tell of the pleasures and pains of love, the patterns of the countryside and the lives of ordinary people. Here are unfaithful soldiers, ghostly lovers, whalers on stormy seas, cuckolds and tricksters. By turns funny, plain-speaking and melancholic, these songs evoke a lost world and, with their melodies provided, record a vital musical tradition. Generations of inhabitants have helped shape the English countryside - but it has profoundly shaped us too.It has provoked a huge variety of responses from artists, writers, musicians and people who live and work on the land - as well as those who are travelling through it.English Journeys celebrates this long tradition with a series of twenty books on all aspects of the countryside, from stargazey pie and country churches, to man's relationship with nature and songs celebrating the patterns of the countryside (as well as ghosts and love-struck soldiers).
Author: Eloise Hubbard Linscott
Publisher: Courier Corporation
Treasury of over 100 folk songs and ballads, nursery songs and singing games, lumbermen's songs, sea chanteys, country dances, minstrel songs, Child ballads and much more. Blow the Man Down, The Devil and the Farmer's Wife, Shenandoah, Barbara Allen, many others. Piano accompaniment for each song, complete instructions for singing games and country dances, historical notes on songs, other material. Ideal for sing-alongs, dances, school programs, and more.