Fashions and Fashion Plates 1800 1900

We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Fashions and Fashion Plates 1800 1900

Author: James Laver

Publisher: Read Books Ltd

ISBN: 1473355281

Page: 50

View: 873

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Costume Index

London , B. T. Batsford , 1951 Brief text accompanies each of the 16 color plates Clothes . ... two plates , 8 in color , with notes on each and with general preface on the dress of the period Fashions and fashion plates 1800-1900 .

Costume Index

Author: Isabel Stevenson Monro

Publisher:

ISBN:

Page: 338

View: 402

" ... Primarily an index to plates in 615 titles comprising 942 volumes. Illustrations when accompanied by text have also been indexed ..."--Preface.

Victorian and Edwardian Fashion

C. W. CUNNINGToN, 'English Women's Clothing in the Nineteenth Century', London, 1987. ... C. W. AND PHILLIS CuNNINGToN, 'The History of Underclothes', London, 1951. ... JAMES LAvER, 'Fashions and Fashion Plates 1800-1900', London, ...

Victorian and Edwardian Fashion

Author: Alison Gernsheim

Publisher: Courier Corporation

ISBN: 048631913X

Page: 240

View: 118

Bonnets, capes, caps, shawls, bodices, and crinolines as people actually wore them from 1840 to 1914. More than 200 photos depict aristocrats and members of the middle class as well as celebrities.

Pevsner The BBC Years

Printer (text): R. and R. Clark Ltd Printer (plates): John Swain and Son Ltd Price: 2/- KP7: FASHIONS AND FASHION PLATES 18001900 Author: James Laver Contents: 16 colour plates Cover Designer: Marian Mahler Date Published: June 1943 ...

Pevsner  The BBC Years

Author: Stephen Games

Publisher: Routledge

ISBN: 131708148X

Page: 412

View: 561

Pevsner: The BBC Years gives the first full account of Sir Nikolaus Pevsner’s engagement with the BBC at a time when both were the dominant institutions in their own fields -- Pevsner as the most persuasive figure in architecture and art history, the BBC as the country's sole broadcaster. A German emigré, Pevsner was not at first trusted to speak on the air, and was only invited to appear at the very end of the war, in spite of his growing eminence in academia and publishing. With the arrival of the Third Programme in 1946, however, he quickly became a broadcasting celebrity, and one whom senior BBC figures regarded as essential and novel listening. Pevsner: The BBC Years looks at the sudden rise in Pevsner’s standing at the BBC, at what he was admired for, and at the circumstances surrounding his being commissioned, in the mid-1950s, to give the first series of Reith Lectures on an arts subject -- the relationship between visual expression and national identity. The book explains the roles played by Geoffrey Grigson, Basil Taylor, Anna Kallin and Leonie Cohn in advancing Pevsner's BBC career, analyses the literary character of his broadcasting, and considers the function of his talks as an extension of European belletrism. It also demonstrates the significance of his concurrent editorship of the King Penguin series of books. In addition, Pevsner: The BBC Years documents the unravelling of Pevsner's reputation. It shows how he was caught between changing fashions in media culture and damaged by doubts about the safety of his ideas, both within the BBC and, externally, among British conservatives who found him too radical and American radicals who found him too conservative. In Pevsner: The BBC Years, correspondence from the BBC’s archives provides a case study of scholarly thought being exposed to independent scrutiny -- a process with lessons for today.

As Seen in Vogue

A Century of American Fashion in Advertising Daniel Delis Hill. Squire , Geoffrey . ... Fashion and Fashion Plates 18001900 . ... Fashioning the Bourgeoisie : A History of Clothing in the Nineteenth Century . Trans . Richard Bienvenu .

As Seen in Vogue

Author: Daniel Delis Hill

Publisher: Texas Tech University Press

ISBN: 9780896726161

Page: 226

View: 457

Looks at the history of women's fashion advertising in Vogue magazine from the 1890s to the 1990s.

Dress in the Age of Jane Austen

41ñ55 Lansdell, Avril, 1977, Occupational Costume and Working Clothes, 1776ñ1976 (Aylesbury: Shire Publications) Laver, James, 1943, Fashions and Fashion Plates, 1800ñ1900 (Harmondsworth: Penguin) Lazaro, David E., and Patricia Campbell ...

Dress in the Age of Jane Austen

Author: Hilary Davidson

Publisher: Yale University Press

ISBN: 0300218729

Page: 336

View: 358

This beautifully illustrated book explores the rich complexity of Regency clothing through the lens of the collected writings of Jane Austen.

London Assurance

17 See Memories of Fifty Years, p. 137. 18 See Memories of Fifty Years, p. 135; The Times, 5 March 1841 (reprinted in Appendix B); James Laver, Fashions and Fashion Plates, 1800-1900 (1943), p. 7; the Theatrical Journal, 13 March 1841, ...

London Assurance

Author: Dion Boucicault

Publisher: A&C Black

ISBN: 1408144123

Page: 137

View: 297

Dion Boucicault was a witty, selfish and deceitful charmer, a bigamist, a profligate spendthrift and the author of dozens of successful plays, only a handful of which endure. Among these his early comedies influenced Oscar Wilde, and his Irish melodramas Shaw, Synge, and O'Casey. London Assurance was his first success, a 'modern comedy' which opened at Covent Garden in 1841 and was the hit of the season. This is the first fully-annotated edition of the play, and it includes an outline of the author's amazing career, an account of the play's composition, and a critical introduction.

Nineteenth Century Women s Fashion

Based mostly on original French artwork, the fashion plates, which appeared in magazines of the day, also document fashion illustration as an evolving art form, making this book an invaluable resource for historians, scholars, theater ...

Nineteenth Century Women s Fashion

Author: Felicity Warnes

Publisher:

ISBN: 9780764350139

Page: 400

View: 965

Follows high-style couture trends over a 100-year period from 1800 to 1900, as illustrated in 374 color photographs of original, hand-colored fashion plates from the author's private collection. The 11 chapters (organized by decade) include a brief survey of the subtle changes in clothing design through each decade and a social history of the times. Follow the whims of fashion on this promenade through the 1800s, when high-society women sported beribboned toques and turbans and crinolines, capes, and extravagant sleeves. Based mostly on original French artwork, the fashion plates, which appeared in magazines of the day, also documentfashion illustration as an evolving art form, making this book an invaluableresource for historians, scholars, theater costume designers, artists, and fashion enthusiasts

Manifesting Power

Laver, J. (1943) Fashions and Fashion Plates 18001900, Harmondsworth: Penguin. Nelson, S.M. (1997)Gender in Archaeology: Analyzing Power and Prestige,Walnut Hills, CA: AltaMiraPress. have been astep inthe negotiating ofgender power in ...

Manifesting Power

Author: Tracy L. Sweely

Publisher: Routledge

ISBN: 1134738188

Page: 224

View: 260

Power relations among humans have likely been a topic of interest since long before any historical claims to its nature were proffered. This book recognizes that power and gender may be rooted in the experience of power in western society.

Clothing and Fashion American Fashion from Head to Toe 4 volumes

“Americanizing French Fashion Plates: Godey's and Peterson's Cultural and Socio-Economic Translation of Les Modes Parisiennes. ... Nineteenth-Century Costume Treasures of the Fashion Archives and Museum, 18001900.

Clothing and Fashion  American Fashion from Head to Toe  4 volumes

Author: José Blanco F.

Publisher: ABC-CLIO

ISBN: 1610693108

Page: 1786

View: 786

This unique four-volume encyclopedia examines the historical significance of fashion trends, revealing the social and cultural connections of clothing from the precolonial times to the present day. • Covers the fashions of all economic levels of Americans from the indigent to the very wealthy, from T-shirts to architecturally sculptured gowns and suits • Includes hundreds of illustrations, sidebars, and primary documents to illuminate important areas of interest and encourage active learning • Addresses topics such as the formal wear of the Belle Epoque era, hairstyles of the Empire Revival, haute couture, and the evolution of clothes for teenagers • Presents four full-color photographic essays of clothing styles throughout American history

The Studio

Fashions and Fashion Plates 1800-1900 . Social Foundations of Post - War Building . ( Faber ) 167 By James Laver . ( Penguin ) By Lewis Mumford . ( Faber ) British Journal Photographic Aimanac Society of Artists Book , 1942.

The Studio

Author:

Publisher:

ISBN:

Page:

View: 353

Graphic Culture

21 See Holland, Hand Coloured Fashion Plates, 69, and Gaudriault, La Gravure de mode féminine, 65. ... costumes or putting fashions on record, and the modern fashion plate (emerging around 1800), indicating what clothes one should wear.

Graphic Culture

Author: Jillian Lerner

Publisher: McGill-Queen's Press - MQUP

ISBN: 0773555145

Page:

View: 933

Nineteenth-century Paris is often celebrated as the capital of modernity. However, this story is about cultural producers who were among the first to popularize and profit from that idea. Graphic Culture investigates the graphic artists and publishers who positioned themselves as connoisseurs of Parisian modernity in order to market new print publications that would amplify their cultural authority while distributing their impressions to a broad public. Jillian Lerner's exploration of print culture illuminates the changing conditions of vision and social history in July Monarchy Paris. Analyzing a variety of caricatures, fashion plates, celebrity portraits, city guides, and advertising posters from the 1830s and 1840s, she shows how quotidian print imagery began to transform the material and symbolic dimensions of metropolitan life. The author's interdisciplinary approach situates the careers and visual strategies of illustrators such as Paul Gavarni and Achille Devéria in a broader context of urban entertainments and social practices; it brings to light a rich terrain of artistic collaboration and commercial experimentation that linked the worlds of art, literature, fashion, publicity, and the theatre. A timely historical meditation on the emergence of a commercial visual culture that prefigured our own, Graphic Culture traces the promotional power of artistic celebrities and the crucial perceptual and social transformations generated by new media.