Displaced Allegories

Offering close readings of the work of the nationally popular and internationally renowned Iranian auteurs Bahram Bayza’i, Abbas Kiarostami, and Mohsen Makhmalbaf, Mottahedeh illuminates the formal codes and conventions of post ...

Displaced Allegories

Author: Negar Mottahedeh

Publisher: Duke University Press

ISBN: 0822381192

Page: 215

View: 500

Following the 1979 Iranian Revolution, Iran’s film industry, in conforming to the Islamic Republic’s system of modesty, had to ensure that women on-screen were veiled from the view of men. This prevented Iranian filmmakers from making use of the desiring gaze, a staple cinematic system of looking. In Displaced Allegories Negar Mottahedeh shows that post-Revolutionary Iranian filmmakers were forced to create a new visual language for conveying meaning to audiences. She argues that the Iranian film industry found creative ground not in the negation of government regulations but in the camera’s adoption of the modest, averted gaze. In the process, the filmic techniques and cinematic technologies were gendered as feminine and the national cinema was produced as a woman’s cinema. Mottahedeh asserts that, in response to the prohibitions against the desiring look, a new narrative cinema emerged as the displaced allegory of the constraints on the post-Revolutionary Iranian film industry. Allegorical commentary was not developed in the explicit content of cinematic narratives but through formal innovations. Offering close readings of the work of the nationally popular and internationally renowned Iranian auteurs Bahram Bayza’i, Abbas Kiarostami, and Mohsen Makhmalbaf, Mottahedeh illuminates the formal codes and conventions of post-Revolutionary Iranian films. She insists that such analyses of cinema’s visual codes and conventions are crucial to the study of international film. As Mottahedeh points out, the discipline of film studies has traditionally seen film as a medium that communicates globally because of its dependence on a (Hollywood) visual language assumed to be universal and legible across national boundaries. Displaced Allegories demonstrates that visual language is not necessarily universal; it is sometimes deeply informed by national culture and politics.

Allegory in Iranian Cinema

Moving beyond censorship as a singular motivating force, Mottahedeh argues
that many films of the post-revolutionary era function as 'displaced allegories' of
their very conditions of production.4 In doing so, film-makers have reinvented film
 ...

Allegory in Iranian Cinema

Author: Michelle Langford

Publisher: Bloomsbury Publishing

ISBN: 1350113271

Page: 296

View: 472

Iranian filmmakers have long been recognised for creating a vibrant, aesthetically rich cinema whilst working under strict state censorship regulations. As Michelle Langford reveals, many have found indirect, allegorical ways of expressing forbidden topics and issues in their films. But for many, allegory is much more than a foil against haphazardly applied censorship rules. Drawing on a long history of allegorical expression in Persian poetry and the arts, allegory has become an integral part of the poetics of Iranian cinema. Allegory in Iranian Cinema explores the allegorical aesthetics of Iranian cinema, explaining how it has emerged from deep cultural traditions and how it functions as a strategy for both supporting and resisting dominant ideology. As well as tracing the roots of allegory in Iranian cinema before and after the 1979 revolution, Langford also theorizes this cinematic mode. She draws on a range of cinematic, philosophical and cultural concepts - developed by thinkers such as Walter Benjamin, Gilles Deleuze, Pier Paolo Pasolini, Christian Metz and Vivian Sobchack - to provide a theoretical framework for detailed analyses of films by renowned directors of the pre-and post-revolutionary eras including Masoud Kimiai, Dariush Mehrjui, Ebrahim Golestan, Kamran Shirdel, Majid Majidi, Jafar Panahi, Marziyeh Meshkini, Mohsen Makhmalbaf, Rakhshan Bani-Etemad and Asghar Farhadi. Allegory in Iranian Cinema explains how a centuries-old means of expression, interpretation, encoding and decoding becomes, in the hands of Iran's most skilled cineastes, a powerful tool with which to critique and challenge social and cultural norms.

iranelection

Provocative and eye-opening, #iranelection reveals the new online ecology of social protest and offers a prehistory, of sorts, of the uses of hashtags and trending topics, selfies and avatar activism, and citizen journalism and YouTube ...

 iranelection

Author: Negar Mottahedeh

Publisher: Stanford University Press

ISBN: 0804796734

Page: 152

View: 336

The protests following Iran's fraudulent 2009 Presidential election took the world by storm. As the Green Revolution gained protestors in the Iranian streets, #iranelection became the first long-trending international hashtag. Texts, images, videos, audio recordings, and links connected protestors on the ground and netizens online, all simultaneously transmitting and living a shared international experience. #iranelection follows the protest movement, on the ground and online, to investigate how emerging social media platforms developed international solidarity. The 2009 protests in Iran were the first revolts to be catapulted onto the global stage by social media, just as the 1979 Iranian Revolution was agitated by cassette tapes. And as the world turned to social media platforms to understand the events on the ground, social media platforms also adapted and developed to accommodate this global activism. Provocative and eye-opening, #iranelection reveals the new online ecology of social protest and offers a prehistory, of sorts, of the uses of hashtags and trending topics, selfies and avatar activism, and citizen journalism and YouTube mashups.

Parables and Other Allegories

In short , Charney ascribed a building ' s monumentality to an act of symbolic ,
dimensional , temporal , or accidental displacement . Charney ' s ironic
understanding of monumentality in terms of the displacement of a “ happening "
challenged ...

Parables and Other Allegories

Author: Melvin Charney

Publisher: Canadian Centre for Architecture = Centre canadien d'architecture

ISBN: 9780920785096

Page: 214

View: 910

Dramatic Allegory

... of thought appear , modes of thought about literature different from those which
grew up in the latter half of the sixteenth century when a turn toward more literal
methods of representation gradually displaced the allegorical in popularity .

Dramatic Allegory

Author: Joanne Spencer Kantrowitz

Publisher:

ISBN:

Page: 166

View: 569

Abdu l Bah s Journey West

This edited volume of specially commissioned essays written for the anniversary of `Abdu'l-Baha's journey to America tells the story of this former prisoner's interactions with the white upper echelon of American society as well as his ...

   Abdu   l Bah   s Journey West

Author: N. Mottahedeh

Publisher: Springer

ISBN: 1137032014

Page: 196

View: 265

This edited volume of specially commissioned essays written for the anniversary of `Abdu'l-Baha's journey to America tells the story of this former prisoner's interactions with the white upper echelon of American society as well as his impact on the lives and writings of important early figures in the African-American civil rights movement.

Allegories of Desire

29 If Sophie finds herself displaced to the United States as part of a larger
migration away from an impoverished and politically unstable nation , then , her
position in part derives from what the United States did in its attempts to organize
what it ...

Allegories of Desire

Author: M. M. Adjarian

Publisher: Greenwood

ISBN:

Page: 209

View: 768

This book explores the relationship between famous and fictional Caribbean female bodies to literary and historical writing. Through her concentration on the perspectives of women writers, her scrupulous attention to the specific histories of the different islands, her interest in diasporic as well as local writing, her embrace of texts in English, French, and Spanish, her insightful exploration of the poetics of allegory, Maude Adjarian invites us to undertake a fundamental rethinking of the concept of national allegory. This criticism is serious and substantial, scholarly and responsible, but also shrewd, engaging and very refreshing.Ross Chambers, Distinguished University Professor, Emeritus, The University of Michigan Caribbean writers and literary-cultural theorists have traditionally associated the Caribbean archipelago and Caribbeanness with the female body. In so doing, however, they have erased not only the bodies but the social, historical and national experiences of real Caribbean women. Allegories of Desire explores the relationship between famous and fictional Caribbean female bodies to literary and historical writing. By looking at the works of six post-1980 Caribbean women writer--Michelle Cliff, Jamaica Kincaid, Edwidge Danticat, J. J. Dominique, Julia Alvarez and Rosario Ferre--M. M. Adjarian uncovers patterns of female bodily resistance to subordination and oppression. These patterns in turn identify the Caribbean and Caribbeanness with ungendered longings for freedom from the imperial twins of patriarchy and North Atlantic colonialism rather than with an imagined, and ultimately exploited, feminine. This compelling study will shed new light on Caribbean literature.

Pindar and the Renaissance Hymn ode 1450 1700

Presumably , he displaced allegory when he decided to render the Eden story in
epic rather than drama . But , as we have seen , this is not so . The abstract
figures of wisdom and light are present with the Muse in the epic Paradise Lost .

Pindar and the Renaissance Hymn ode  1450 1700

Author: Stella Purce Revard

Publisher: Mrts

ISBN:

Page: 383

View: 394

"This book examines Pindar and his influence in a broad way by evaluating the impact of his poetry in religious, cultural, and literary contexts. Revard studies the literature that resulted from Pindaric imitation and probes the reason for the great popularity of Pindar and his odes on the continent and in England in the sixteenth and seventeenth centuries. The study will be of interest to classicists, scholars in comparative literature, and students of Italian, French, and English literature." --

Dissertation Abstracts International

With this in mind , I would argue that allegory in the works of Carpentier and
Saramago , far from being a stylistic device seen by critics as a way of escaping
censorship , is a poetics resulting from repositioning history through the
displacement ...

Dissertation Abstracts International

Author:

Publisher:

ISBN:

Page:

View: 123

C

... inherent semantic struggle12 between the relative ease of reception on an
aesthetic plane and the difficulty of interpreting displaced representations . In
allegory there is representation of what remains absent , as well as of what is
present .

C

Author:

Publisher:

ISBN:

Page:

View: 333

The Nathaniel Hawthorne Review

stater Of course notions of allegory and symbolism are notoriously slippery and
elusive . ... Ullén comments , “ In allegory , in short , the notion of an ending is
displaced from the realm of the Actual into the real of the Imaginary ” ( 107 ) , but I
 ...

The Nathaniel Hawthorne Review

Author:

Publisher:

ISBN:

Page:

View: 466

Appropriated Pasts

Warwick Anderson ( 2002 , 193 ) perceptively notes that the racialized discourse
on black Caucasians : unintentionally produced a displaced , allegorical account
of white racial history in Australia . The parallels are now obvious , but they went
 ...

Appropriated Pasts

Author: Ian J. McNiven

Publisher: Altamira Press

ISBN: 9780759109063

Page: 317

View: 533

Archaeology has been complicit in the appropriation of indigenous peoples' pasts worldwide. While tales of blatant archaeological colonialism abound from the era of empire, the process also took more subtle and insidious forms. Ian McNiven and Lynette Russell outline archaeology's _colonial culture_ and how it has shaped archaeological practice over the past century. Using examples from their native Australia--and comparative material from North America, Africa, and elsewhere--the authors show how colonized peoples were objectified by research, had their needs subordinated to those of science, were disassociated from their accomplishments by theories of diffusion, watched their histories reshaped by western concepts of social evolution, and had their cultures appropriated toward nationalist ends. The authors conclude by offering a decolonized archaeological practice through collaborative partnership with native peoples in understanding their past.

Mourning the Nation

... in narratives in which Partition appears in displaced , allegorical forms ,
intimating a kind of melancholic obsession . While reflecting on the temporality of
trauma , I came to realize that the latency of such an experience does not always
imply ...

Mourning the Nation

Author: Bhaskar Sarkar

Publisher: Duke University Press Books

ISBN: 9780822344117

Page: 384

View: 586

What remains of the “national” when the nation unravels at the birth of the independent state? The political truncation of India at the end of British colonial rule in 1947 led to a social cataclysm in which roughly one million people died and ten to twelve million were displaced. Combining film studies, trauma theory, and South Asian cultural history, Bhaskar Sarkar follows the shifting traces of this event in Indian cinema over the next six decades. He argues that Partition remains a wound in the collective psyche of South Asia and that its representation on screen enables forms of historical engagement that are largely opaque to standard historiography. Sarkar tracks the initial reticence to engage with the trauma of 1947 and the subsequent emergence of a strong Partition discourse, revealing both the silence and the eventual “return of the repressed” as strands of one complex process. Connecting the relative silence of the early decades after Partition to a project of postcolonial nation-building and to trauma’s disjunctive temporal structure, Sarkar develops an allegorical reading of the silence as a form of mourning. He relates the proliferation of explicit Partition narratives in films made since the mid-1980s to disillusionment with post-independence achievements, and he discusses how current cinematic memorializations of 1947 are influenced by economic liberalization and the rise of a Hindu-chauvinist nationalism. Traversing Hindi and Bengali commercial cinema, art cinema, and television, Sarkar provides a history of Indian cinema that interrogates the national (a central category organizing cinema studies) and participates in a wider process of mourning the modernist promises of the nation form.

La Pierre Parle

Lithography , however , was not yet displaced . Allegorical representations of the
crimean War , such as that by Doré ( # 186 ) , still had a place in " modern "
France . The popular image showing the Russian retreat from Sebastopol ( # 185
) ...

La Pierre Parle

Author: Douglas W. Druick

Publisher:

ISBN:

Page: 154

View: 854