Art Visual Culture 1850 2010 Modernity to Globalisation

Through carefully chosen themes and topics rather than through a general survey, the volumes approach the process of looking at works of art in terms of their audiences, functions and cross-cultural contexts.

Art   Visual Culture 1850 2010  Modernity to Globalisation

Author: Steve Edwards

Publisher: Tate Enterprises Ltd

ISBN: 1849761108

Page: 416

View: 826

This is the third of three text books, published in association with the Open University, which offer an innovatory exploration of art and visual culture. Through carefully chosen themes and topics rather than through a general survey, the volumes approach the process of looking at works of art in terms of their audiences, functions and cross-cultural contexts. While focused on painting, sculpture and architecture, it also explores a wide range of visual culture in a variety of media and methods. "1850-2010: Modernity to Globalisation" includes essays which engage directly with topical issues around art and gender, globalisation, cultural difference and curating, as well as explorations of key canonical artists and movements and of some less well-documented work of contemporary artists.

Art Visual Culture 1850 2010

Through carefully chosen themes and topics rather than through a general survey, this title approaches the process of looking at works of art in terms of their audiences, functions and cross-cultural contexts.

Art   Visual Culture 1850 2010

Author: Steve Edwards

Publisher: Tate

ISBN:

Page: 334

View: 546

Through carefully chosen themes and topics rather than through a general survey, this title approaches the process of looking at works of art in terms of their audiences, functions and cross-cultural contexts. It includes essays which engage directly with topical issues around art and gender, globalisation, cultural difference and curating.

Art Visual Culture 1850 2010

This series forms the main texts of an Open University Level 2 module, Exploring Art and Visual Culture.

Art   Visual Culture 1850 2010

Author: Steve Edwards

Publisher: Tate

ISBN: 9781849760973

Page: 342

View: 667

This series forms the main texts of an Open University Level 2 module, Exploring Art and Visual Culture. Central is a concern with the ways in which the concept of art has developed over the course of time and how visual practices have both responded to and been shaped by these changing ideas.

Art Visual Culture 1100 1600 Medieval to Renaissance

The three books in the series are: Art & Visual Culture 1100–1600: Medieval to
Renaissance, edited by Kim Woods Art & VisualCulture 1600–1850: Academyto
AvantGarde, edited by EmmaBarker Art & Visual Culture 18502010: Modernity
to ...

Art   Visual Culture 1100 1600  Medieval to Renaissance

Author: Kim W. Woods

Publisher: Tate Enterprises Ltd

ISBN: 1849761086

Page: 416

View: 213

The first of three text books, published in association with the Open University, which offer an innovatory exploration of art and visual culture. Through carefully chosen themes and topics rather than through a general survey, the volumes approach the process of looking at works of art in terms of their audiences, functions and cross-cultural contexts. While focused on painting, sculpture and architecture, it also explores a wide range of visual culture in a variety of media and methods. "1000-1600: Medieval to Renaissance" includes essays on key themes of Medieval and Renaissance art, including the theory and function of religious art and a generic analysis of art at court. Explorations cover key canonical artists such as Simone Martini and Botticelli and key monuments including St Denis and Westminster Abbey, as well as less familiar examples.

1850 2010 Modernity to Globalisation

This is the third of three text books, published in association with the Open University, which offer an innovatory exploration of art and visual culture.

1850 2010  Modernity to Globalisation

Author:

Publisher:

ISBN:

Page: 416

View: 229

This is the third of three text books, published in association with the Open University, which offer an innovatory exploration of art and visual culture. Through carefully chosen themes and topics rather than through a general survey, the volumes approach the process of looking at works of art in terms of their audiences, functions and cross-cultural contexts. While focused on painting, sculpture and architecture, it also explores a wide range of visual culture in a variety of media and methods. '1850-2010: Modernity to globalisation' includes essays which engage directly with topical issues around art and gender, globalisation, cultural difference and curating, as well as explorations of key canonical artists and movements and of some less well-documented work of contemporary artists. 0ISBN of other volumes: 1100 -1600: Medieval to Renaissance (ISBN: 978-1-84976-093-5) & 1600 - 1850: Academy to avant-garde (ISBN: 978-1-84976-093-5).

Art Worlds

The importance of the figure of the broker or middleman in Shanghai culture is
noted by Alexander Des Forges , Mediasphere ... and Visual Culture in the
Sojourners ' City , 1853–98 ( London : Routledge , 2010 ) ; Lu Hanchao , Beyond
the Neon Lights : Everyday ... Shanghai Love : Courtesans , Intellectuals and
Entertainment Culture , 1850–1910 ( Seattle : University of Washington Press ,
2006 ) ; Des ...

Art Worlds

Author: Roberta Wue

Publisher: University of Hawaii Press

ISBN:

Page: 291

View: 176

The growth of Shanghai in the late nineteenth century gave rise to an exciting new art world in which a flourishing market in popular art became a highly visible part of the treaty port's commercialized culture. Art Worlds examines the relationship between the city's visual artists and their urban audiences. Through a discussion of images ranging from fashionable painted fans to lithograph-illustrated magazines, the book explores how popular art intersected with broader cultural trends. It also investigates the multiple roles played by the modern Chinese artist as image-maker, entrepreneur, celebrity and urban sojourner. Focusing on industrially produced images, mass advertisements and other hitherto neglected sources, the book offers a new interpretation of late Qing visual culture at a watershed moment in the history of modern Chinese art.Art Worlds will be of interest to scholars of art history and to anyone with an interest in the cultural history of modern China.

Belgisch tijdschrift voor philologie en geschiedenis

Met De dood van Nelson , een groot en ambitieus historiestuk , had Slingeneyer
zich trouwens al in de jaren 1850 pogen te ... Tour on Bond Street :
Cosmopolitanism and the Commercial Art Gallery in Victorian London " , in Visual
Culture in Britain , dl . 12 , 2011 , 2 , p . 141 ; Pamela FLETCHER , “ Shopping for
Art : The Rise of the Commercial Art Gallery , 1850s - 90s ” , in Pamela ... 33 ,
2010 , 1 , p .

Belgisch tijdschrift voor philologie en geschiedenis

Author:

Publisher:

ISBN:

Page:

View: 549

Capital Karma

"Capital & Karma constitutes the largest presentation of contemporary Indian art and culture ever to,be displayed in the Germanspeaking realm.

Capital   Karma

Author: Gerald Matt

Publisher: Cantz

ISBN:

Page: 237

View: 584

In the past decade India's cities have been caught in the grip of an enormous push towards globalisation. This abrupt internationalization of capital, consumption, and media has also effected changes in the contexts of Indian contemporary art. Global television stations, commercials, the Internet, video, and computer games are becoming important points of reference. The relationships between world and nation, individual and community, politics, economy, and culture are being redefined. The artists participating in "Capital & Karma confront these changes with varying strategies, transferring in this way the media surfaces of "Indian" and "Western" elements into a globalized context of symbols. Essays by Indian and international authors address the conflicting effects of the new flows of capital in art, popular culture, politics, and urban development, as well as in Indian cinema and other forms of mass media. "Capital & Karma constitutes the largest presentation of contemporary Indian art and culture ever to,be displayed in the Germanspeaking realm.

2010

2010

Author: De Gruyter

Publisher: de Gruyter

ISBN: 9783110230253

Page: 2612

View: 977

The IBR, published again since 1971 as an interdisciplinary, international bibliography of reviews, offers book reviews of literature dealing primarily with the humanities and social sciences published in 6,000 mainly European scholarly journals. This unique bibliography contains over 1.3 millions book reviews. 60,000 entries are added every year with details on the work reviewed and the review.

Biblical Art from Wales

All of these traditions , in their several ways , possessed and brought with them a
rich heritage of visual art , as the chapters in this book amply illustrate . Peter
Lord , The Visual Culture of Wales : Industrial Society ( Cardiff : University of
Wales ...

Biblical Art from Wales

Author: Martin O'Kane

Publisher:

ISBN:

Page: 328

View: 125

Victorian Popularizers of Science

To some , scientific instruction could be enhanced by catering to the craving for
the visual and the spectacular . ... But the appearance of the carte de visite in the
1850s led to the widespread cultural exposure of photography ( J. Smith 2006 ,
31 ) . ... and the illustrations in his books were “ carefully aligned with this vibrant
visual culture rather than the high art of the Royal Academy and National Gallery
.

Victorian Popularizers of Science

Author: Bernard Lightman

Publisher:

ISBN:

Page: 545

View: 602

The ideas of Charles Darwin and his fellow Victorian scientists have had an abiding effect on the modern world. But at the time The Origin of Species was published in 1859, the British public looked not to practicing scientists but to a growing group of professional writers and journalists to interpret the larger meaning of scientific theories in terms they could understand and in ways they could appreciate. Victorian Popularizers of Science focuses on this important group of men and women who wrote about science for a general audience in the second half of the nineteenth century. Bernard Lightman examines more than thirty of the most prolific, influential, and interesting popularizers of the day, investigating the dramatic lecturing techniques, vivid illustrations, and accessible literary styles they used to communicate with their audience. By focusing on a forgotten coterie of science writers, their publishers, and their public, Lightman offers new insights into the role of women in scientific inquiry, the market for scientific knowledge, tensions between religion and science, and the complexities of scientific authority in nineteenth-century Britain.

Material Culture Review

Becoming Native in a Foreign Land : Visual Culture , Sport , and Spectacle in the
Construction of National Identity in Montreal , 1840-1885 . PhD diss . , York ... The
Origins of Canadian Anthropology , 1850-1910 . Journal of Canadian ... In Native
American Art in the Twentieth Century , ed . ... Hamilton , Michelle A. 2010.

Material Culture Review

Author:

Publisher:

ISBN:

Page:

View: 825

Center Record of Activities and Research Reports

Center for Advanced Study in the Visual Arts (U.S.) ... 2005 Nationalism and
French Visual Culture , 1870-1914 , edited by June Hargrove and Neil McWilliam
, 2005 The Art of Natural History ... and Botanical Paintings , 1400-1850 , edited
by Therese O'Malley and Amy R. W. Meyers , 2008 , softcover 2010 Collecting ...

Center     Record of Activities and Research Reports

Author: Center for Advanced Study in the Visual Arts (U.S.)

Publisher:

ISBN:

Page:

View: 963

Ethnologia Europaea

Visual Culture . London : Routledge . Jenks , C. & T. Neves 2000 : A Walk on the
Wild Side : Urban Ethnography meets the Flâneur . Journal for Cultural ... König ,
G.M. 1996 : Eine Kulturgeschichte des Spazierganges : Spuren einer
bürgerlichen Praktik 1780–1850 . ... Nicholson , G. 2008 : The Lost Art of Walking
: The History , Science , Philosophy , and Literature of Pedestrianism . New York
... Plasquy , E. 2010 : El Camino Europeo del Rocío : A Pilgrimage towards
Europe . Journal ...

Ethnologia Europaea

Author:

Publisher:

ISBN:

Page:

View: 213

War Culture and the Contest of Images

Palestinian Art . London : Reaktion Books , 2006 . Apel , Dora . " Art . ” In The
Oxford Handbook of Holocaust Studies , ed . ... New German Critique 76 , Special
Issue on Weimar Visual Culture ( Winter 1999 ) : 49-84 . ... 2010 . Azoulay ,
Ariella . The Civil Contract of Photography . New York : Zone Books , 2008 .
Death's Showcase : The Power of Image in Contemporary ... Art : From 1850 to
the Present .

War Culture and the Contest of Images

Author: Dora Apel

Publisher: New Directions in Internationa

ISBN:

Page: 273

View: 915

Part 1. The romance of war. 1. Technologies of War, Media, and Dissent in the Post-9/11 Work of Krzysztof Wodiczko ; 2. Historical reenactment: Romantic Amnesia or Counter-Memory? - Part II. The Body of War. 3. Abu Ghraib, Gender, and the Military ; 4. The Body as Political Corpus. - Part III. The Landscape of War. 5 Controlling the Frame: Photojournalism, Digital Technology, and "Modern Warfare" ; 6. Israel/Palestine and the Political Imaginary. - Conclusion : On Human Rights.

Research centers directory

15231 I Massachusetts College of Art - Design Research Unit (DRU) 621
Huntington Ave. ... 15232 I Massachusetts institute of Technology - Center for
Advanced Visual Studies (CAVS) 77 Massachusetts Ave., N52-390 Cambridge,
MA 02139 Ph: (617)253-4415 Fax: ... Res: Histories and cultures of Nonh
America in the Atlantic world before 1850, with a particular emphasis on the mid-
Atlantic region.

Research centers directory

Author: Gale Research Company

Publisher:

ISBN:

Page:

View: 463

Black Milk

Black Milk is the first in-depth analysis of the visual arts that effloresced around slavery in Brazil and North America in the eighteenth and nineteenth centuries.

Black Milk

Author: Marcus Wood

Publisher: OUP Oxford

ISBN: 0199274576

Page: 552

View: 163

Black Milk is the first in-depth analysis of the visual arts that effloresced around slavery in Brazil and North America in the eighteenth and nineteenth centuries. Exploring prints, photographs, paintings, sculptures, ceramics, and ephemera, it will change everything we knew, or thought we knew, about the visual archive of Atlantic slavery.

Black Venus 2010

In Art in Theory 1900–1990 : An Anthology of Changing ... In The Fact of
Blackness : Frantz Fanon and Visual Representation , ed . Alan Read , 12–37 . ...
In Metropolis and Province : Science in British Culture , 1780–1850 , ed . Ian
Inkster and ...

Black Venus 2010

Author: Deborah Willis

Publisher:

ISBN:

Page: 238

View: 622

Discusses Sarah Baartman's life as an ethnographic specimen in the early nineteenth century, and assesses her representation as the "Hottentot Venus" in contemporary art and the broader issue of the historic display of black women in history.