Acting for the Stage

This book is a collection of essays by and interviews with talented artists and businesspeople who have built successful careers in the theater; it’s a goldmine of career advice that might take years to find on your own.

Acting for the Stage

Author: Anna Weinstein

Publisher: Taylor & Francis

ISBN: 1317370503

Page: 268

View: 550

Acting for the Stage is a highly accessible guide to the business of theater acting, written for those interested in pursuing acting as a profession. This book is a collection of essays by and interviews with talented artists and businesspeople who have built successful careers in the theater; it’s a goldmine of career advice that might take years to find on your own. Herein, the myths around professional acting are dispelled, and the mysteries revealed. Acting for the Stage illuminates practical strategies to help you build a life as a theater professional and find financial rewards and creative fulfillment in the process. Contains essays by and interviews with working stage actors, acting coaches, directors, writers, and agents. Features discussions on selecting a graduate school program, choosing acting classes and workshops, making the most out of your showcase, landing an agent, networking and promoting yourself, and the business of casting. Covers issues of money management, balancing the highs and lows of the profession, finding work to nourish your acting career, and building your creative team and support network.

Acting Emotions

The book offers a unique view of how actors act out emotions and how this acting out is intimately linked to the development of contemporary theatre.

Acting Emotions

Author: Elly Konijn

Publisher: Amsterdam University Press

ISBN: 9789053564448

Page: 209

View: 606

Actors and actresses play characters such as the embittered Medea, or the lovelorn Romeo, or the grieving and tearful Hecabe. The theatre audience holds its breath, and then sparks begin to fly. But what about the actor? Has he been affected by the emotions of the character he is playing? What'sgoing on inside his mind? The styling of emotions in the theatre has been the subject of heated debate for centuries. In fact, Diderot in his Paradoxe sur le comedien, insisted that most brilliant actors do not feel anything onstage. This greatly resembles the detached acting style associated with Bertolt Brecht, which, in turn, stands in direct opposition to the notion of the empathy-oriented "emotional reality" of the actor which is most famously associated with the American actingstyle known as method acting. The book's survey of the various dominant acting styles is followed by an analysis of the current state of affairs regarding the psychology of emotions. By uniting the psychology of emotions with contemporary acting theories, the author is able to come to the conclusion that traditional acting theories are no longer valid for today's actor. Acting Emotions throws new light on the age-old issue of double consciousness, the paradox of the actor who must nightly express emotions while creating the illusion of spontaneity. In addition, the book bridges the gap between theory and practice by virtue of the author's large-scale field study of the emotions of professional actors. In Acting Emotions, the responses of Dutch and Flemish actors is further supplemented by the responses of a good number of American actors. The book offers a unique view of how actors act out emotions and how this acting out is intimately linked to the development of contemporary theatre.

Film and Television Acting

Ian Bernard analyses the differences between theatre, film and television acting, providing the student or theatre trained actor with specific approaches for making the transition from stage to on-camera work.

Film and Television Acting

Author: Ian J. Bernard

Publisher: Focal Press

ISBN: 9780240803012

Page: 157

View: 928

Ian Bernard analyses the differences between theatre, film and television acting, providing the student or theatre trained actor with specific approaches for making the transition from stage to on-camera work.

Lessons for the Stage

This practical manual for teaching acting is really a drama course or two in a book, and can be used by veteran teachers, new teachers, actors from junior high through college, and little theater groups.

Lessons for the Stage

Author: Julian S. Schlusberg

Publisher:

ISBN:

Page: 245

View: 758

This practical manual for teaching acting is really a drama course or two in a book, and can be used by veteran teachers, new teachers, actors from junior high through college, and little theater groups. Written by an award-winning high school drama teacher with over twenty-five years of experience, it contains both an introductory course and an advanced course, in a lesson-by-lesson format, as well as sections on scene study and relaxation/warm-up exercises which are basic to both. These separate courses are sequential and cumulative but complement each other and are adaptable to any group. Each lesson - twenty-nine in the beginning course, and forty in the advanced - includes lists of materials needed, step-by-step procedures, and outlines of the objectives, all tempered with the practical advice of a wise and compassionate teacher. Sample charts, diagrams, forms, and worksheets are here, too. Theater games found in the introductory course may be used as warm-ups, or, in fact, entire classes, in either of the two courses. But apart from teaching acting techniques; blocking; stage areas; creating characters; improvisation; and all the skills of the stage, Mr. Schlusberg never loses sight of the fact that theater is meant to encourage growth. With subtlety and deftness he shows how acting training can increase awareness of character, environment, senses, and emotions in developing more fulfilled human beings.

Stage Acting Techniques

This book leads the student clearly and expertly forward towards stepping confidently upon the stage and then feeling thoroughly at home there. Book jacket.

Stage Acting Techniques

Author: John Hester

Publisher: Crowood Press

ISBN: 9781861266866

Page: 128

View: 706

Aimed at all practising and would-be actors.

German Expressionist Theatre

This book considers the multifarious styles of acting on the German Expressionist stage from 1916 to 1921.

German Expressionist Theatre

Author: David F. Kuhns

Publisher: Cambridge University Press

ISBN: 9780521583404

Page: 311

View: 126

This book considers the multifarious styles of acting on the German Expressionist stage from 1916 to 1921.

Film and Television Acting

The book analyzes the differences between theatre, film, and television acting, providing the theatre trained actor with specific approaches for making the transition to on-camera work. This second edition is thoroughly revised and updated.

Film and Television Acting

Author: Ian Bernard

Publisher: CRC Press

ISBN: 1136081739

Page: 176

View: 428

Film and Television Acting offers solid techniques for creating a natural, believable performance for film and television. The reader will discover techniques for listening and reacting, blocking and business, character, focus, the closeup, and comedy as they pertain to acting in front of a camera. The book analyzes the differences between theatre, film, and television acting, providing the theatre trained actor with specific approaches for making the transition to on-camera work. This second edition is thoroughly revised and updated. The book contains numerous scenes and exercises, including sample scenes from Cheers and Seinfeld, which provide the reader with ways to practice the specific techniques outlined by the author. Included are interviews with well-know actors and directors: Don Murray, Norman Jewison, and Emmy award winner, Glenn Jordan, to name a few. These interviews illustrate how the professionals apply their training and technique to filmed performances. There is also a chapter-length interview with John Lithgow, in which the actor provides a first-hand account of the differences of acting for the theatre and for the camera.

Acting in Documentary Theatre

Using new interview material with actors, directors and writers, this book explores the challenges of performance in documentary theatre.

Acting in Documentary Theatre

Author: Tom Cantrell

Publisher: Macmillan International Higher Education

ISBN: 1137019735

Page: 208

View: 369

Using new interview material with actors, directors and writers, this book explores the challenges of performance in documentary theatre. Through a series of high profile case studies, Cantrell uses acting theory to examine the actors' complex processes, and makes a significant contribution to our understanding of stage performance.

Stage Fright

Discusses the symptoms and causes of stage fright, looks at how actors and actresses make use of their fears, and examines the art of acting

Stage Fright

Author: Stephen Aaron

Publisher: Chicago : University of Chicago Press

ISBN: 9780226000183

Page: 156

View: 409

Discusses the symptoms and causes of stage fright, looks at how actors and actresses make use of their fears, and examines the art of acting

The Death of the Actor

An all-out attack on the contemporary theatrical practice and performance theory that identifies the actor, rather than the director, as the key creative force in the performance of Shakespeare.In The Death of the Actor Martin Buzacott ...

The Death of the Actor

Author: Martin Buzacott

Publisher: Psychology Press

ISBN: 9780415061483

Page: 180

View: 569

An all-out attack on the contemporary theatrical practice and performance theory that identifies the actor, rather than the director, as the key creative force in the performance of Shakespeare.In The Death of the Actor Martin Buzacott launches an all-out attack on contemporary theatrical practice and performance theory which identifies the actor, rather than the director, as the key creative force in the performance of Shakespeare. Because actors are absent from the site of Shakespearean meaning, he argues, the illusion of their centrality is sustained only by a rhetoric of heroism, violence and imperialism.

Lessons

This book is meant to improve your acting skills by developing your awareness as an actor "€" awareness both of yourself and those around you.

Lessons

Author: Tom Isbell

Publisher: Meriwether Pub

ISBN:

Page: 199

View: 721

This book is meant to improve your acting skills by developing your awareness as an actor "€" awareness both of yourself and those around you. By understanding what is worth pursuing, what is worth remembering and what is worth letting go, you can acquire knowledge about acting which will increase your skill level. This book is a series of 100 plain-speaking, highly readable lessons that convey the big and little truths of acting. Divided into 5 sections "€" Approach, Fundamentals, Classes and Rehearsals, Performance, and Final Lessons "€" Isbell presents this as a true acting book that focuses on allowing the natural artist to evolve, grow and mature, finding his or her own voice. If you're new to acting, these 100 lessons should provide a foundation on which you can build your acting life. If you've been acting for a while, these lessons should confirm what you already know deep within you, but perhaps haven't yet voiced.

Illustrations of the Stage and Acting in England to 1580

This richly illustrated book surveys representations of the stage and acting from manuscript illuminations, stained glass, sculpture, woodcarving, wall paintings, and the woodcuts that appear in playbooks produced by the first English ...

Illustrations of the Stage and Acting in England to 1580

Author: Clifford Davidson

Publisher: Western Michigan Univ Medieval

ISBN:

Page: 176

View: 420

This richly illustrated book surveys representations of the stage and acting from manuscript illuminations, stained glass, sculpture, woodcarving, wall paintings, and the woodcuts that appear in playbooks produced by the first English printers.

From Stage to Screen

The book is divided into three sections: the first examines the relationship between the actor and the camera and how it differs from that of a performer with a stage audience; the second addresses the technical skills the screen actor ...

From Stage to Screen

Author: Bill Britten

Publisher: Bloomsbury Publishing

ISBN: 1472522648

Page: 248

View: 851

The camera enables us to see right into a character's soul, revealing his or her innermost thoughts and emotions. Screen acting requires a more rigorously truthful and spontaneous performance than the stage, as well as very different technical expertise. From Stage to Screen is a handbook for the professional actor packed with advice on how to make the transition and fully prepare for a TV or film role. The book is divided into three sections: the first examines the relationship between the actor and the camera and how it differs from that of a performer with a stage audience; the second addresses the technical skills the screen actor needs in order to work as part of a large collaborative team and 'make the shot work'; and the third explores the very different experience of an actor working on a screen project, including getting the job, how to prepare properly, what to expect and how to manage the whole process, from casting through to ADR, in order to deliver the very best work.

An Actor Prepares

The first volume of Stanislavski's enduring trilogy on the art of acting defines the "System," a means of mastering the craft of acting and of stimulating the actor's individual creativeness and imagination.

An Actor Prepares

Author: Konstantin Stanislavsky

Publisher: Taylor & Francis

ISBN: 9780878309832

Page: 313

View: 578

The first volume of Stanislavski's enduring trilogy on the art of acting defines the "System," a means of mastering the craft of acting and of stimulating the actor's individual creativeness and imagination.

It was Play Or Starve

This book examines the fascinating world of these itinerant actors and their experiences with early showboats, frontier theater, minstrelsy, panorama exhibitions, and the circus.

 It was Play Or Starve

Author: John Hanners

Publisher: Popular Press

ISBN: 9780879725877

Page: 163

View: 186

American popular entertainers in the nineteenth century faced physical hardships, prejudices, and cultural barriers. This book examines the fascinating world of these itinerant actors and their experiences with early showboats, frontier theater, minstrelsy, panorama exhibitions, and the circus. Admirable and not-so-admirable characters, who possessed equal amounts of pluck, courage, and naivet�, are contrasted popular cultural tastes

Introduction to Acting

This important work includes thorough coverage of the different philosophies of acting and how they can be used to the best advantage, how to prepare a role and analyze a character, how to move on stage, what to expect at an audition, how ...

Introduction to Acting

Author: Stanley Kahan

Publisher: Pearson College Division

ISBN:

Page: 372

View: 793

For any one who has ever dreamed of making it big on stageÉ on TVÉ in the moviesÉ a clear, straightforward, uncluttered approach to beginning acting. This important work includes thorough coverage of the different philosophies of acting and how they can be used to the best advantage, how to prepare a role and analyze a character, how to move on stage, what to expect at an audition, how to avoid or overcome stage fright, and much more. Over fifty scenes and monologues add depth of meaning to the concepts covered and provide you with meaningful practice opportunities. The specific challenges of TV and radio acting are also covered in two chapters. Throughout this wonderful book are quotes, anecdotes, and personal reflections from dozens of actresses and actors to accentuate the activities and lessons. This new edition also includes more improvisation exercises and more scenes and monologues. Beginning-level actors. A Longwood Professional Book.